Wonderful May and lots going on! Check out our May newsletter!

May 9th, 2012

Check out our latest newsletter, below. There’s a sign up button over on your right if you’d like to receive it! 

Click Here To Read: Wonderful May: Newsletter May 2012

 

Wonderful May: Newsletter May 2012 

Great VO Exercise: Raspberries, Sirens, and Lip Trills

May 4th, 2012

1. Keeping your lips together, like you were making imaginary car (or motorboat, if you prefer) “brrrm, brrrrm” noises, and allow your lips to make a “raspberry” type sound (like a good old-fashioned Bronx cheer without sticking your tongue out), or lip trill. Begin at the bottom of your possible range and while continuing the lip trills gradually raise your pitch until you hit your highest note possible.

2. Now reverse direction. Start at the top of your range and move downward thru your natural pitch to your lowest note.

3. Continue your lip trills while going from low to high and back to low again. It’ll sound a little like a siren.

4. Repeat the sirens 3-5 times until you feel like your voice is beginning to get warmed up.

5. This can be hard to describe on paper. Feel free to visit this link ( ) to see an example.

 

Lip trills are a great way not only to warm up your face and resonators in your sinus cavities, but also helps keep your vocal cords and neck muscles from tensing up while you’re warming up your voice. Don’t worry if your voice cracks during the sirens. That’s just a natural part of expanding your range. We all have “head tones” (high) as well as “chest tones” (low) in our range, and in order to move back and forth continuously from one to the other, you have to move through your natural “break,” which is the sound that often people associate with a teen boy going through puberty. One of the reasons for this is that the vocal cords are actually growing and stretching and sounds that used to be easily within one range move to a different register, and the voice “cracks” as it pushes through unfamiliar territory. So in addition to warming up your voice, this exercise can also help you widen your vocal range.

 

Sirens w/out Lip Trill

1. Allow your mouth to hang slightly open, and begin an “ee” sound at the bottom of your range. As you exhale, slide your pitch higher and higher until you hit your highest note possible.

2. Now reverse direction. Start at the top of your range and slide your pitch downward until you hit your lowest note.

3. Make sure your face and jaw are relaxed and comfortably open while making the siren sound.

4. Repeat the sirens 3-5 times until you feel like your voice is warming up.
Practicing sirens can really begin to stretch your range and gently allow the musculature in your face and neck (as well as your vocal cords) to begin to become accustomed to the sounds you’ll be making while acting.

 

Whether you have a high or low-pitched voice you can also begin to think about the placement of the sound you’re making. This is separate from the pitch. Placement relates to the physical location in your body where your voice is resonating. For example, if you have a head cold and are all stuffed up, you might sound very frontal, or nasal, since your sinuses are blocked and thus blocking the sound from escaping completely, therefore creating a very frontal resonant sound. If you drop the sound way back to the back of your throat, then you would almost sound like you were swallowing the sounds, creating a very different quality altogether.

 

Begin to play around with extremely frontal, a mid-range placement as well as a back placed sound. This is something that you can bring into your work and begin to pick and choose where certain voices you create will be placed and where others will lie instead. [Should this be a new exercise to help develop awareness of where you’re placing your voice?]

 

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Great Voice Over Exercise: “The Phrasinator”

April 20th, 2012

People tell us this exercise from our book, “Voice Over Voice Actor: What It’s Like Behind the Mic”  really helps them, so we thought we’d blog it again:

Try each of these phrases in the emotions suggested at the right. It will really work your ability to quickly change the feel and tone of your expression.

Exercise: The Phrasinator

  • Over here………………………………….. Excited
  • I need that…………………………………. Overjoyed
  • Let go………………………………………..Secretive
  • What are you talking about………………Frustrated
  • Don’t do that………………………………..Uncomfortable
  • I don’t think that’s a good idea…………..Annoyed
  • Give me the new one……………………..Angry
  • No…………………………………………….Scared
  • Try it again………………………………….Sleepy
  • Listen to me………………………………..Happy
  • Alright……………………………………….In awe
  • Stop right there……………………………Uncomfortable
  • Wow that’s huge…………………………..Frightened

Then if you want continue playing with the phrases by trying each of the different descriptions with each of the sentences. To take it one step further, try adding punctuation (? . !) and see how that might change the way you say the lines.

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What is the History of Voice Over?

April 9th, 2012

It is commonly believed that the first voiceover was from Walt Disney, as Mickey Mouse in “Steamboat Willie.” And although this was a long time ago, in 1928, in actual fact the first voice over was in 1900!  This historical achievement belongs to Reginald Fessenden, a Canadian inventor. He was thrilled with Alexander Graham Bell’s new device, the telephone, and set out to create a way to remotely communicate without wires. The beginning of “Wireless!” In 1900, working for the United States Weather Bureau, Fessenden recorded the very first voice over: a test he made reporting the weather.

He was also the first voice of radio. In Boston, in 1906, during the Christmas season, he recorded an entire program of music, Bible texts, and Christmas messages to ships out at sea.

As voice over became more routine in radio, cartoon, etc., the actors behind those voices were rarely known by the public. Exceptions are Walt Disney, of course, and perhaps Mel Blanc, a radio personality and comedian. He became known as “The Man of 1000 Voices” for his versatility, and is the voice on many cartoons distributed by Warner Brothers. One of the most influential and prolific voice over actors of all time is certainly not commonly known by the public, but very well known in the industry. This is Don LaFontaine, who began in voice over in 1962, recording VO for a movie trailer. He became the vice of movie trailers, setting the standard for how they were written and voiced.

As voice over acting grew into a formidable business, it still, however, was very “behind-the-scenes.” Literally and figuratively! Actors filled their spare time with voice over work – it was what they did “between jobs.” But voice over really came out into the light, and became more than respectable, with the onset of digitally animated films of recent years. Celebrities began providing the voices for characters in huge box-office successes such as The Lion King, with Matthew Broderick, Jeremy Irons and James Earl Jones, Shrek with Eddie Murphy, The Narnia series with Liam Neeson, and there are hundreds of other examples! (Click here for a list of great voiceover performances.)   The public is now used to big actor names in animated films – it is a powerful marketing strategy for the production companies of these films.

And well-known actors love it! Nancy Griffin said it well in her NY Times article from 2003 , “Film/Television; When A-List Actors Are Happy to Hide Their Faces.” She wrote, “No hair and make-up necessary, not a personal trainer in sight and a four-hour work day: these are just a few of the enticements luring A-list actors, including Jim Carrey, Will Smith and Robin Williams, to headline animated features.”

These celebrities have really brought voice over into its heyday. It is regarded with great interest by aspiring actors, and it seems millions of young people want to find their way into the field. It provides rewarding and challenging careers to actors of all sizes, shapes, personalities, and skills. And it is enormous fun!

 

 

 

March 28th, 2012

We had a fun interview with 411mania – here is a bit of it, but click on the link to read more!

411mania interview: Tara Platt and Yuri Lowenthal

Thanks to Jeffrey Harris

411mania.com speaks with the husband and wife team of Yuri Lowenthal and Tara Platt to talk about their work on Ben 10, their new live web series Shelf Life, their co-authored book, and much more.

During the 2012 WonderCon, I got to catch up with actors Yuri Lowenthal and Tara Platt. Recently the husband and wife team had their own co-authored book published, Voice-Over Voice Actor: What It’s Like Behind The Mic. Yuri is most known for his work on the hit Ben 10 franchise as the older, teenaged voice of hero, Ben Tennyson in the Ultimate Alien and Alien Force renditions of the show and the soon to be premiering series, Ben 10: Omniverse. Yuri has also done work on the hit Prince of Persia videogame series as the titular Prince, the Naruto and Naruto: Shippuden anime shows as everyone’s favorite dark antihero Sasuke Uchiha, Iceman in Wolverine and The X-Men, Superman in Legion of Super Heroes, and Shinra Kishitani in the awesome Durarara!! Tara Platt has also worked on the Naruto franchise as the Sand ninja and sister of Gaara, Temari, rogue Shinigami Lisa Yadomaru in the Bleach series, Tokiko Tsumura in a personal favorite series of mine Buso Renkin (“I’ll splatter your guts!”), and also as Jennifer Nocturne in the Ben 10 series. Now the two are currently working on their own live web series, Shelf Life, of which they came to the convention dressed as their characters from the show, Bug Boy and Hero Lass respectively.

Jeffrey Harris: So what are you guys excited about at WonderCon right now?

Yuri Lowenthal: I just love walking the floor and running into the people, technically I work with, but never get to see.

Tara Platt: I also just love seeing artist alley too. There’s something so exciting about what’s the new stuff being created and generated. That always excites me.

Jeffrey Harris: The Shelf Life series is outrageous and you work with some other great talent like Travis Willingham and Dee Bradley Baker. What was the conception of this idea?

Yuri Lowenthal: Strangely enough, even though I’m the resident nerd of the family, it was Tara’s idea.

Tara Platt: I know.

Yuri Lowenthal: She saw the action figures up in my office and spawned the idea and then ran with it. And luckily we surrounded ourselves with really talented, trustworthy people from working in this business for so many years. And they were on the boat too. They were like, “Oh it sounds great! Let’s do it!”

READ MORE

 

 

 

Here’s a great exercise – use current TV commercials!

February 23rd, 2012

Really listen to the commercials on your TV or radio. When you find a good commercial you like, try to parrot the VO actor who is speaking the lines.  You’ll be repeating the words, of course, but also try to copy, as exactly as you can, the nuances, the tone, the inflections he or she uses, and the musicality.

Then mute or turn off the TV or radio and grab any random bit of text, such as an ad in a piece of mail or magazine. Try to bring the new tone and vocal patterns you’ve been copying to these new words. You will be using the style you’ve been mimicking with this new material.

This will really start to train your ear and attune you to what is currently “hot” in the advertising world. And it gets you practicing, reading aloud, and using your voice in new ways.

And it’s fun! Enjoy!

 

Voice Over Actors: Taking Care of Business!

February 9th, 2012

It is true that as actors we can often be more focused on the craft of acting and forget to put energy into the business side of our voice-over acting. This part, while essential, may not be as much “fun…”  But it is just as important as tuning your vocal instrument.

You must find out who might hire you to use your voice and where they are located. It’s a pro-active way of forwarding your career in voice-over. So for a moment look at VO as a military objective. Select a few targets and do a little recon, or research. And you won’t even need to get your hands dirty.

Start with what you like. For example, if you really like the show Naruto, you might search and find out that in the United States, Naruto is licensed by a company called Viz. A little more looking (with your friend Google) might turn up that the English dub for Naruto is recorded at Studiopolis. Voila! You now have a production company to add to your hit list when you have a demo to mail out! With commercials, you might have to be a little more investigative, but there are resources (such as adforum.com) out there that can help you find the ad agency who produced the commercial and who’s associated with the promotion of that product.

So, for this exercise, pick an area to start with: animation, video games, or commercials. Now choose three of your favorite shows/movies, video games or commercials. Begin to do a little Internet legwork. Find out who the production company is, and in the case of commercials, the ad agency who commissioned the spot. Try and discover if the company/agency casts their projects in-house, or if they have a relationship with a separate casting company. In some cases, you may even find that the same studio/ad agency produced more than one of your selections, then you know they’re definitely somebody you want to target.

There is plenty of information available on the Web, and a little digging could turn up e-mail addresses or maybe phone numbers that you could use to contact the company and find out who might be best to send your reel to. Start a file and keep the info you find for future reference.

Good hunting and good luck – make it fun!

 

 

Good VO Exercise: Speak with a Pencil in your Teeth!

February 3rd, 2012

Tongue Twister Practice

(Exercises republished from VoiceOverVoiceActor.com/Take-Action)

To help improve your diction, lightly grip a pencil (horizontally) between your teeth, so that you are forced to really work your tongue to create the sounds.

 

Practice speaking out loud the following 3 tongue twisters, clearly enunciating each word:

A thin little boy picked six thick thistle sticks.
Sidney Shelly flies through thick fog.
This thatched roof is thick.

After saying them each several times, remove the pencil and try saying them again. Listen to how much the clarity of your speech has improved.

Can you believe it is 2012 already? Check out our January newsletter

January 30th, 2012

Check out our latest newsletter, below. There’s a sign up button over on your right if you’d like to receive it!

 

In This Issue
Back to Work, Back to Play
Clockwork Angel Review

Contest Winner

 

All is Well in 20-12!

 

Hello!

Can you believe it’s 2012 already!? I certainly can’t. Last year was a whirlwind and I expect this year to be just as exciting. We have plans for films, more episodes of Shelf Life and look forward to working on more fun projects.

I was so excited when Yuri surprised me with a weekend getaway to Paris for our anniversary! Bon Voyage, indeed! :) And then so relaxing to spend the holidays in Idyllwild and Desert Hot Springs for a little R&R.

Here’s to thrilling and fantastic surprises for your year as well, and to surpassing your goals with your own New Year’s Resolutions. My focus this year is on visibility (for our projects, for my work and for our company). Bigger and Better in 2012!

Tara :) (&Yuri)
 
Yuri Lowenthal & Tara Platt: Raise Your Voice (Acting)!

 Read more:

Newsletter Jan 2012

 

 

 

Remember, Caffeine May Not be a Good Thing for Your VO Session!

January 26th, 2012

REMINDER:

Sure, who doesn’t like a stimulus and pick-me-up delivered in a tasty beverage like coffee, tea or a soft drink. But when you’re getting ready for a VO session, that caffeine can have the unwanted side effect of drying out your vocal chords. So be aware of the effects before hitting the booth. An herbal tea can be a wonderful substitute and still maintain the lubrication necessary to keep your vocal chords moist and healthy.