Great VO Exercise: Raspberries, Sirens, and Lip Trills

May 4th, 2012

1. Keeping your lips together, like you were making imaginary car (or motorboat, if you prefer) “brrrm, brrrrm” noises, and allow your lips to make a “raspberry” type sound (like a good old-fashioned Bronx cheer without sticking your tongue out), or lip trill. Begin at the bottom of your possible range and while continuing the lip trills gradually raise your pitch until you hit your highest note possible.

2. Now reverse direction. Start at the top of your range and move downward thru your natural pitch to your lowest note.

3. Continue your lip trills while going from low to high and back to low again. It’ll sound a little like a siren.

4. Repeat the sirens 3-5 times until you feel like your voice is beginning to get warmed up.

5. This can be hard to describe on paper. Feel free to visit this link ( ) to see an example.

 

Lip trills are a great way not only to warm up your face and resonators in your sinus cavities, but also helps keep your vocal cords and neck muscles from tensing up while you’re warming up your voice. Don’t worry if your voice cracks during the sirens. That’s just a natural part of expanding your range. We all have “head tones” (high) as well as “chest tones” (low) in our range, and in order to move back and forth continuously from one to the other, you have to move through your natural “break,” which is the sound that often people associate with a teen boy going through puberty. One of the reasons for this is that the vocal cords are actually growing and stretching and sounds that used to be easily within one range move to a different register, and the voice “cracks” as it pushes through unfamiliar territory. So in addition to warming up your voice, this exercise can also help you widen your vocal range.

 

Sirens w/out Lip Trill

1. Allow your mouth to hang slightly open, and begin an “ee” sound at the bottom of your range. As you exhale, slide your pitch higher and higher until you hit your highest note possible.

2. Now reverse direction. Start at the top of your range and slide your pitch downward until you hit your lowest note.

3. Make sure your face and jaw are relaxed and comfortably open while making the siren sound.

4. Repeat the sirens 3-5 times until you feel like your voice is warming up.
Practicing sirens can really begin to stretch your range and gently allow the musculature in your face and neck (as well as your vocal cords) to begin to become accustomed to the sounds you’ll be making while acting.

 

Whether you have a high or low-pitched voice you can also begin to think about the placement of the sound you’re making. This is separate from the pitch. Placement relates to the physical location in your body where your voice is resonating. For example, if you have a head cold and are all stuffed up, you might sound very frontal, or nasal, since your sinuses are blocked and thus blocking the sound from escaping completely, therefore creating a very frontal resonant sound. If you drop the sound way back to the back of your throat, then you would almost sound like you were swallowing the sounds, creating a very different quality altogether.

 

Begin to play around with extremely frontal, a mid-range placement as well as a back placed sound. This is something that you can bring into your work and begin to pick and choose where certain voices you create will be placed and where others will lie instead. [Should this be a new exercise to help develop awareness of where you’re placing your voice?]

 

COME VISIT US ON FACEBOOK! Voice Over Voice Actor

Here’s a great exercise – use current TV commercials!

February 23rd, 2012

Really listen to the commercials on your TV or radio. When you find a good commercial you like, try to parrot the VO actor who is speaking the lines.  You’ll be repeating the words, of course, but also try to copy, as exactly as you can, the nuances, the tone, the inflections he or she uses, and the musicality.

Then mute or turn off the TV or radio and grab any random bit of text, such as an ad in a piece of mail or magazine. Try to bring the new tone and vocal patterns you’ve been copying to these new words. You will be using the style you’ve been mimicking with this new material.

This will really start to train your ear and attune you to what is currently “hot” in the advertising world. And it gets you practicing, reading aloud, and using your voice in new ways.

And it’s fun! Enjoy!

 

Voice Over Actors: Taking Care of Business!

February 9th, 2012

It is true that as actors we can often be more focused on the craft of acting and forget to put energy into the business side of our voice-over acting. This part, while essential, may not be as much “fun…”  But it is just as important as tuning your vocal instrument.

You must find out who might hire you to use your voice and where they are located. It’s a pro-active way of forwarding your career in voice-over. So for a moment look at VO as a military objective. Select a few targets and do a little recon, or research. And you won’t even need to get your hands dirty.

Start with what you like. For example, if you really like the show Naruto, you might search and find out that in the United States, Naruto is licensed by a company called Viz. A little more looking (with your friend Google) might turn up that the English dub for Naruto is recorded at Studiopolis. Voila! You now have a production company to add to your hit list when you have a demo to mail out! With commercials, you might have to be a little more investigative, but there are resources (such as adforum.com) out there that can help you find the ad agency who produced the commercial and who’s associated with the promotion of that product.

So, for this exercise, pick an area to start with: animation, video games, or commercials. Now choose three of your favorite shows/movies, video games or commercials. Begin to do a little Internet legwork. Find out who the production company is, and in the case of commercials, the ad agency who commissioned the spot. Try and discover if the company/agency casts their projects in-house, or if they have a relationship with a separate casting company. In some cases, you may even find that the same studio/ad agency produced more than one of your selections, then you know they’re definitely somebody you want to target.

There is plenty of information available on the Web, and a little digging could turn up e-mail addresses or maybe phone numbers that you could use to contact the company and find out who might be best to send your reel to. Start a file and keep the info you find for future reference.

Good hunting and good luck – make it fun!

 

 

Good VO Exercise: Speak with a Pencil in your Teeth!

February 3rd, 2012

Tongue Twister Practice

(Exercises republished from VoiceOverVoiceActor.com/Take-Action)

To help improve your diction, lightly grip a pencil (horizontally) between your teeth, so that you are forced to really work your tongue to create the sounds.

 

Practice speaking out loud the following 3 tongue twisters, clearly enunciating each word:

A thin little boy picked six thick thistle sticks.
Sidney Shelly flies through thick fog.
This thatched roof is thick.

After saying them each several times, remove the pencil and try saying them again. Listen to how much the clarity of your speech has improved.

Can you believe it is 2012 already? Check out our January newsletter

January 30th, 2012

Check out our latest newsletter, below. There’s a sign up button over on your right if you’d like to receive it!

 

In This Issue
Back to Work, Back to Play
Clockwork Angel Review

Contest Winner

 

All is Well in 20-12!

 

Hello!

Can you believe it’s 2012 already!? I certainly can’t. Last year was a whirlwind and I expect this year to be just as exciting. We have plans for films, more episodes of Shelf Life and look forward to working on more fun projects.

I was so excited when Yuri surprised me with a weekend getaway to Paris for our anniversary! Bon Voyage, indeed! :) And then so relaxing to spend the holidays in Idyllwild and Desert Hot Springs for a little R&R.

Here’s to thrilling and fantastic surprises for your year as well, and to surpassing your goals with your own New Year’s Resolutions. My focus this year is on visibility (for our projects, for my work and for our company). Bigger and Better in 2012!

Tara :) (&Yuri)
 
Yuri Lowenthal & Tara Platt: Raise Your Voice (Acting)!

 Read more:

Newsletter Jan 2012

 

 

 

Remember, Caffeine May Not be a Good Thing for Your VO Session!

January 26th, 2012

REMINDER:

Sure, who doesn’t like a stimulus and pick-me-up delivered in a tasty beverage like coffee, tea or a soft drink. But when you’re getting ready for a VO session, that caffeine can have the unwanted side effect of drying out your vocal chords. So be aware of the effects before hitting the booth. An herbal tea can be a wonderful substitute and still maintain the lubrication necessary to keep your vocal chords moist and healthy.

 

 

 

Do You Have What it Takes for a Career as a Voice Over Actor?

January 16th, 2012

OK, so lots of people, your friends and family, have always told you what a great voice you have. And the thoughts of working from home, for yourself, recording a bit and then playing the rest of the day – these ideas appeal to you?  Well, you are not alone. Voice-over work is a hot industry, and every day tons of people dive into the maelstrom, trying to figure out how to be a success in this arena.

It is a grand gig. You can record from home with your own little studio, since technology has advanced to make this a possibility. And you don’t have to have a “look,” a necessity that some people feel hinders the chance of becoming an on-camera actor for many folks.

But the competition is fierce, and just having a good speaking voice and good articulation is not enough. You have to learn to read (perform) and make it sound natural – like you are speaking new thoughts to someone particular. It takes acting skills, and speed of making choices. You have less time in a recording booth in a VO session than in many other forms of acting. You often have never seen the copy until the moment before you are asked to perform.

Another necessary skill is to be able to find the line between enunciation and sounding affected. You can work on this by recording yourself reading copy, and ask friends to give you their honest opinion – does it sound natural, clear, easy to listen to, believable, appealing? It has to sound real.

If you are serious about joining the Voice-Over world, take classes, get coaching, make a great demo, get equipment to record yourself at home, make a website, read all you can about it, listen to people who know, read our many tips here on our website, and consider getting our book, Voice Over Voice Actor.

Most important of all, Practice Practice Practice! And stay passionate about it.

Good luck and have fun.

 

 

 

8 Tips to Starting a Voice Over Career

November 7th, 2011

 

1)    You must have a strong dream to get you through the dry times as you get started in VO industry.

2)    Be sure to get ready before you start offering your services.

3)    Keep your job, unless you are independently wealthy! You will need finances to train, create a demo, and it takes time to get started. You need tenacity and perseverance.

4)    Don’t have unrealistic expectations – that way lies heartache. Just because your friends tell you that you have a great voice and are going to make a ton of money, the fact is the competition is huge.

5)    Create a good quality voice over demo (get help with this – it is NOT something to be done on your own).

6)    Further to the last tip, do not think you can be self sufficient in this industry. Even the best VO actors get critiques, engage a coach for continual training, and they practice, practice, practice!

7)    Get a website up! Some people advise that you should wait until your demo is ready to create a website. But these days an online presence is practically mandatory and you might be losing contacts to hold off until your demo is completed. So create it as soon as you can so people who find the site have something to listen to.

8)    Oh, and did we say this already? Practice, practice, practice!

Keep the dream alive. Be realistic and know it will take time. And the more you practice and train, the better your chances of having a fun and rewarding career as a Voice Over artist!

 

 

 

Microphone Technique

September 27th, 2011

Tips for Microphone Technique

The mic can be rather daunting when you first start out in voice-over! Practicing at home with one will help to reduce the newness of it, and the distraction from it.

Here are some tips to get you started.

 

PROXIMITY

Find your own comfort zone, with regard to proximity. Many voice-over artists will angle slight to the right or left of the mic, for two reasons:

1) This can reduce or eliminate pops from plosive sounds like tb, or p. When you’re in a session, engineers can help by putting a “pop shield,” a stocking device or foam shield, in front of the mic. But if you angle- speak slightly across the mic – you create a similar effect to a pop screen.

2) You will be able to see and read your copy off to the right or left, without the mic being right in front of it.

 

VOLUME

Well, the mic is there to amplify the sound, so you can be as soft or loud as the job requires, but you need to work with the mic to create this. If you are recording yourself, make sure you are getting a solid wave form, and if you are working with an engineer s/he will do this by first getting a good level of your planned volume before recording the take. You can’t speak softly while the engineer gets a good level, and then shout during your take!

Every different session will call for something different in the way of volume . For example, if you want low, deep sounds from your voice it can help to get very close to the to the mic, perhaps two to three inches. If you know you are going to really project, and speak louder,  stand back, seven to nine inches from the mic, so your voice doesn’t distort.

Then trust the mic and your own voice and skill. If you need drama and a “dark” interpretation, you might try a whisper, or near-whisper. And if it is comedy, use a little more level and smile the whole time you are speaking. It is amazing that a smile can come right through the microphone to the listener!

 

LIGHTING

You must be able to see well, to read your copy! Make sure you are well prepared with contacts or reading glasses if you need them, and some artists even carry a small clip-on light, which runs on a battery, to attach to the stand holding your copy. Lighting must be ample to reduce the possibility of unnecessary errors when you read. In many studios you can ask to increase the level of light if it isn’t bright enough for you.

 

TECHNIQUE AND SKILL

Do your breathing exercises. Practice reading all kinds of different material at home in front of the mic. Try things and experiment at home to learn what your real strengths are. And stretch yourself to try new things. Try different pitches, different volumes, mimic cartoon characters or famous actors or comics. Read out loud in front of the mic and record it if you can, to listen back – you will learn so much from hearing your own work.

The more you develop and then employ your microphone technique and skill, the less the engineer and producer have to rely on enhancements in the studio. The less they work, the faster and easier the session, and the more likely you are to be re-hired! Plus, comfort and skill with the microphone shows your professionalism, getting the job done well and quickly, which is the producer’s goal!

 

 

 

Take Action #27: Getting your own practice copy together

April 10th, 2011



1. This exercise is to help you begin to compile your own practice copy for you to work on and then eventually use to create your commercial or animation demo reel.

2. For commercial copy, find magazines, see which ads visually pop out at you and write down the advertisement (or if the magazine is yours, pull the page out). Remember that print copy reads differently from commercial audio copy, so use the print as a starting point and then make slight adjustments to help the line flow.

3. To build animation copy, find an inanimate object in your house, then begin to write a monologue or conversation this object/character might have with you about its needs or hopes or dreams. Another wonderful way to create animation copy is to write down your favorite characters from animated shows, then rename them and make changes to what you know of their experiences, then try building a history or story for them that you find interesting.

4. Note which type of ad goes with the different types of commercial types (hard sell, soft sell, partner read, tag, etc.) also review your animation copy to see what types of characters you’re showing off and make sure you have some variety that works with your voice.

5. Put all your found (and massaged) copy into a binder, and practice randomly flipping to different pieces and reading and performing them as you would if you were in the booth.

Wonderful. You’ve had the chance to hone your unique vocal qualities and become more familiar with your natural voice. You’ve also probably gotten to see how your body reacts to a warm-up and how that can better prepare your voice for a session. You’ve read copy and made choices and have begun the process of building your own personal stack of practice copy that you can use as you move toward making your demo reel.

Voice-over isn’t like it used to be where only ‘certain’ voices worked, now there are voices of all kinds and varieties to make up the spice of life. Basically, if you are a solid actor, are professional and considerate and you have good mic technique there is no reason you can’t work in VO, of course, someone would have to hire you, so you’d need your demo reel ($$$$, time, energy) and most likely you will need to secure an agent to represent you and get you auditions (time/energy) as well as giving yourself as much as an edge as possible by taking classes, practicing your craft, knowing your voice and how to take care of it; so planning a career in voice-over is an investment.

The wonderful world of voice-over allows you to create amazing characters, to teach, to entertain, to offer new alternatives and to go on a whole new adventure. Remember, voice acting just “acting” without the bonus of using your facial expressions or body language to convey something visually, so your intention has to come across with just your voice helped by your imagination. And we all have one of those…