Take Action #27: Getting your own practice copy together

April 10th, 2011



1. This exercise is to help you begin to compile your own practice copy for you to work on and then eventually use to create your commercial or animation demo reel.

2. For commercial copy, find magazines, see which ads visually pop out at you and write down the advertisement (or if the magazine is yours, pull the page out). Remember that print copy reads differently from commercial audio copy, so use the print as a starting point and then make slight adjustments to help the line flow.

3. To build animation copy, find an inanimate object in your house, then begin to write a monologue or conversation this object/character might have with you about its needs or hopes or dreams. Another wonderful way to create animation copy is to write down your favorite characters from animated shows, then rename them and make changes to what you know of their experiences, then try building a history or story for them that you find interesting.

4. Note which type of ad goes with the different types of commercial types (hard sell, soft sell, partner read, tag, etc.) also review your animation copy to see what types of characters you’re showing off and make sure you have some variety that works with your voice.

5. Put all your found (and massaged) copy into a binder, and practice randomly flipping to different pieces and reading and performing them as you would if you were in the booth.

Wonderful. You’ve had the chance to hone your unique vocal qualities and become more familiar with your natural voice. You’ve also probably gotten to see how your body reacts to a warm-up and how that can better prepare your voice for a session. You’ve read copy and made choices and have begun the process of building your own personal stack of practice copy that you can use as you move toward making your demo reel.

Voice-over isn’t like it used to be where only ‘certain’ voices worked, now there are voices of all kinds and varieties to make up the spice of life. Basically, if you are a solid actor, are professional and considerate and you have good mic technique there is no reason you can’t work in VO, of course, someone would have to hire you, so you’d need your demo reel ($$$$, time, energy) and most likely you will need to secure an agent to represent you and get you auditions (time/energy) as well as giving yourself as much as an edge as possible by taking classes, practicing your craft, knowing your voice and how to take care of it; so planning a career in voice-over is an investment.

The wonderful world of voice-over allows you to create amazing characters, to teach, to entertain, to offer new alternatives and to go on a whole new adventure. Remember, voice acting just “acting” without the bonus of using your facial expressions or body language to convey something visually, so your intention has to come across with just your voice helped by your imagination. And we all have one of those…






Take Action #26 Practice Copy

March 29th, 2011

PRACTICE WITH SCRIPTS & COPY

So, your body is warmed up, your mind is awake and you’re ready to get your hands (well, your vocal cords anyway) dirty with some actual voice-over work. There’s a lot to take in when you are looking at a script so here are a few helpful (non-acting) hints and reminders.

As we mentioned in the book, if you’re working on ADR/dubbing, there might be notations in the script to let you know where pauses (sometimes called ‘hitches’) fall, at what time-code the line starts and ends, and what lines might be on-camera and not. If you’re recording original animation there might be loop numbers before each line of dialogue. Let’s review briefly some common notations, as any extra information you can mine from the page can help to inform your performance.

Hitches (means pause) (^, …, /_, )
MNS – mouth not seen,
OM, CM – open mouth, closed mouth
_______ – off screen
Time code – 01:02:03:04

Below is a practice script, some fake commercial copy for you to practice with. Create a practice work session that you can go back and review by using some sort of audio recording device to record yourself while you practice out loud. Enjoy your session!

1.As you read, try circling all the notations you notice as well as be extra aware of any information you can mine from the page.
2 Ask yourself the Who-What-Where-When-Why-hoW questions to see what comes up. Underline this information to help you see if it affects your interpretation or acting choices.

COMMERCIAL COPY

Your new voice-over agent would like you to read some of the spots they just got in today so they can see what would best suit your voice. Often agents will have you read for all sorts of things when you first sign, as a way of throwing things up against the wall to see what sticks. So, go ahead and read the various copy that’s come in

Luxury:
The Jewelry Outlet at KnollCrest is having a pre-Valentines engagement ring sale. Come on down and surprise your loved one with the proposal of a lifetime. We have 24 karat gold and platinum rings on sale for almost 30% off, this weekend only.

High Energy:

It’s Faaaaaaantastic. Super Fruit Bowl ‘O’Sugars get you ready for a day of fun in the sun. Filled with vitamins, minerals and naturally sweetened real fruit pieces, Bowl’O’Sugars are part of a complete breakfast. Start your morning right, be fan-tastic.

Promo
This October, The Best Show on TV is moving to a new time…five days a week. Catch your favorite characters Mindy, Bobbi and Karl now at 7pm on KOOLTV.

Partner read:
A: Honey did you forget to pay the phone bill?
B: What do you mean, I thought it was automatic?
A: Oh, right, its just so easy, I keep forgetting?
B: Yeah, now we can spend time thinking about more fun things.
A: Like if you paid the cable bill?
Announcer: Don’t let bills get you down, use the automatic bill pay feature offered by Earth Bank to pay for all your charges throughout the month, even if your provider doesn’t have an auto feature set up. Earth Bank the bank of the Earth. Not available in intergalactic space station Giltex.

Soft sell:

Soft CleoPattra Egyptian sheets are specially designed to become softer with use…and every time you wash them the natural bamboo fibers relax just a hint more…which makes your bed even more comfortable to get into….who wouldn’t want to sleep in…Soft CleoPattra Sheets. Easy to sleep on, easy to sleep in.

High Energy:

I love hitting the BergerJack on the way to the game. I can fill up on all my favorites, a real ice-cream shake, a 100% beef patty and a large Idaho potatoes home fries for under 5 bucks. And I can even grab something for the coach, so if I’m a little late to practice sometimes, no harm done.

Tag:
Prices based on participation and subject to change without notice, offer good only in the continental United States, all entries must be postmarked by July 4, or will not be considered.

The above copy will give you good practice in looking for clues on the page as well as making cold choices. Of course, there are so many different types of spots always remember you can tune into the radio or TV to see what is currently running.

Take Action #25: Radio Follow-Along

March 15th, 2011

Turn on the radio or TV and try to mimic not only the words, but the accent, the inflection of the speaker and see how close you can get to sounding like them.

This is another great (and inexpensive) way to practice is to mimic things you hear. Listen to your favorite radio station and simply mimic the DJ’s, the commercial announcers, even the newscasters. Not only will this clue you in to the types of voices that are booking work, but you’ll often come up with new and exciting voices just by trying to mimic someone else’s.

Take Action # 24 Audition Time

March 7th, 2011

1. This exercise is to help simulate an audition experience for you. Remember to look for all the information on the page to give you clues to your performance.
2. Do a trial run with each of the specs and record yourself. Play it back and listen to hear if what you planned in your head was apparent in your recording.

Try out the following Commercial and Animation Audition Copy using the following specs. See how each unique spec changes your performance.

Commercial

Specs:
1. young, cheerful, spunky 2. wants to be everyone’s friend
3. eternally optimistic 4.intelligent, honest, down-to-earth

1. In the summer heat, 2 bucks can go a long way.
Now, at The Burger Joint, grab a large drink, large fries
and your choice of hamburger or cheeseburger for only $1.99.
Come in and fill up for less than 2 bucks.

2. Why choose one of those other companies that might loose your package or handle it with less-than-optimal care?
Let BoxYouUp come by your office or home and package,
mail and deliver your important items at your convenience.
Visit BoxYouUp.com for pricing.

Animation

Specs:
1. energetic, sporty, hot shot 2. is always having a good time
3. goofy, crazy, wild 4.nervous and easily excited

1. Hey little monkey, I don’t know what you are doing in there, but you need to come out right now. You hear me?I don’t wanna have to yell. C’mon now. Get out. Get. OUT. Monkeeeeeeeeee! OUT. Now see, that wasn’t so bad, now was it. Ha! Silly monkey.

2. You mean there is more out there than this? Robots even? Wicked!
Because I’ve been waiting my whole life for that.I just know I can take them on.
Let’s go.
What are you waiting for? Let’s do this thing.
Woah. Did you see that? I’m awesome.

Fantastic. Hopefully getting the experience of listening to your performance has given you a deeper understanding of the variety of things you will want to consider when working on audition material or even going to an audition. Of course, this exercise can’t exactly duplicate an audition experience, but the more prepared you feel before you go into an audition situation, the more confident and relaxed you will be, and the higher your chances of you doing your best work, and with any luck, booking the job!

Take Action #17: The Count

December 20th, 2010

1-2-3 inhale 1-2-3 hold 1-2-3 exhale 1-2-3 hold
1-2-3-4 inhale 1-2-3-4 hold 1-2-3-4 exhale 1-2-3-4 hold
1-2-3-4-5 inhale 1-2-3-4-5 hold 1-2-3-4-5 exhale 1-2-3-4-5 hold

Having a strong diaphragm will not only help you maintain your breath for longer periods of time, it can also help you yell, scream, shout and make fighting and reaction noises, all of which are likely to come into play in voice acting. Continue exercising and strengthening your diaphragm so that no matter what type of VO job you jump into next, you’ll be that much more ahead of the game.

Certain sounds (“s” and “z”) will naturally help you ‘hold on’ to your voice and increase the amount of time you can breathe in or out. The next exercise will help you to strengthen this ‘muscle.’
Using the “s” or “z” sound, (rather like a snake hissing) try to slow the air down as much as you can while pushing it out. Start by counting to a lower number (say, three) while inhaling, then exhale on the hiss for three as well and up the count as you feel comfortable doing so. Try also adding a count between breathing in and out, so you’re breathing in, holding, then breathing out, holding, then breathing in again, and so on.

Take Action #16: Your Breath

December 10th, 2010

1. Begin by lying flat on the ground and placing your hand on your abdomen just below your ribs.
2. Feel the natural rise and fall as you breathe.
3. Notice the natural ‘pause’ between inhale and exhale.

This is how your body breathes without you trying to do anything to control it. As you breathe, there should be four sections to each breath: 1. an inhale, 2. a pause, 3. an exhale, 4. a pause. We usually don’t feel the pauses because they’re short and they happen naturally, but they’re there, all right.
This next exercise focuses on lengthening, or expanding, your breath. Begin by inhaling for a three-count, holding for a three-count, exhaling for a three-count and holding for a three-count. Do this until it’s comfortable and then start to increase your count, four-count, five-count, etc. If you start to feel light-headed or dizzy, stop immediately and take a break. See if you can comfortably work up to 5, 6, 7 or even 8, 9, 10.

(Tara once had a voice teacher who could breathe in and out on a thirty-count, which comes with a lot of practice. Being able to hold your breath and control your breathing allows you to play with your voice more, giving you more range and stamina, which could come in handy for things such as recording long passages for audiobooks or characters who really ramble on.)

Take Action #15: Front-Mid-Back Sounds

November 29th, 2010

1. Using a “nee, nee, nee, nee” sound, try squinting your eyes or scrunching your face muscles between the sounds and on some of the sounds to create a more nasal resonance
2. Switch to humming to feel a very mid mouth placement
3. Now move the sound to the back of the mouth and throat by making a “guh, guh, guh guh” sound.
4. Try switching between the “nee”, the hum and the “guh” tofeel how your voice resonates in different areas of your body.

It can be very fun to learn to control your voice and be able to switch between a voice that is more frontal and a voice that is further back. Try reading this paragraph out loud in your natural voice and while doing so, move the sound toward your nose for a bit, and then reverse it and move it toward your throat and belly. Pay attention to where your voice is most comfortable as well as where it’s beginning to expand to offer you new and exciting options.

A great review for our book! Voice Over Voice Actor: What It’s Like Behind the Mic

October 28th, 2010

From: PlaybackSTL.com:

Yuri Lowenthal and Tara Platt/ Voice Over Voice Actor: What It’s Like Behind the Mic

Even if you have no aspirations towards a career in voice-over, there’s a lot you can learn from this book.

256 pages. Emerald Book Company, 2010. $19.95 (paperback)
Everyone knows about the kind of acting where you actually see people doing stuff: Hilary Swank doggedly pursuing evidence to free her brother from jail or Jeremy Renner disabling IEDs in Iraq.  But there’s a whole other world of acting out there where the actor’s only tool is his/her voice. Not surprisingly this is called voice-over, and once you become aware of it, you will notice it everywhere: not only on the radio but also in commercials, live and animated film, television programs, video games, and recorded announcements. Basically, if you hear a voice and can’t see the person who is speaking, that’s voice-over.
Voice-Over Voice Actor: What It’s Like Behind the Mic, written by industry professionals Yuri Lowenthal and Tara Platt, provides an insiders’ view of the business of voice-over acting with a particular focus on actors who want to break into this market. Between them they have over 12 years of voice-over experience with clients including Disney, Nickelodeon, Cartoon Network, Dell, Coke and Subaru. Yuri is, among other things, the voice of the Prince of Persia in the video game series of the same name, Superman and Superman X on Legion of Superheroes, Ben Tennyson on Ben 10: Alien Force and Jinro/Kuma on Afro Samurai while Tara’s roles include Temari in Naruto (series and video games), Wonder Woman in DC vs. MK and Dream Girl in Legion of Superheroes.
They take a systematic approach to their topic, beginning with a description of the industry then moving through the practical processes of finding your voice, auditioning, creating a demo, building a home recording booth, marketing yourself, and actually doing the work. What I like best about this book is the informal yet business-like tone taken by the authors: they don’t offer shortcuts or “secrets to success” but point the way down a path which can lead to a rewarding career. And they’re not afraid to have some fun in the process: anecdotes, cartoons and fun facts are salted throughout the text, along with sidebars from other industry professionals which offer advice, war stories and other information about working in the voice-over business.
If you think you know something about voice acting (and even more so if you think it’s easier or somehow a lesser skill in comparison to conventional acting) I invite you to listen to the demo reels of Yuri (http://www.yurilowenthal.com/page4.html) and Tara (http://www.taraplatt.com/vo.html). Pretty amazing, huh? Not only do these demo reels demonstrate the versatility of these two actors, they also provide examples of how to assemble clips to showcase your talents briefly and effectively.
Even if you have no aspirations towards a career in voice-over, there’s a lot you can learn from this book. For instance, understanding the process by which anime dubs are created goes a long way toward explaining why you’re usually better off listening to the original soundtrack with subtitles. When animated films are first made, the dialogue is recorded and the animation is made to match the voices. Creating a dub reverses the process: the voice-over actor has to create a convincing performance while trying to match the mouth movements (flaps) of an animated character (who is “speaking” in a different language) while alone in the studio (generally each character is recorded separately) and working with little chunks (loops) of dialogue. That’s a tough gig any way you look at it.
You can learn more about Voice-Over Voice Actor from the book’s web site (http://voiceovervoiceactor.com/) which also offers bonus materials like exercises to improve your skills. You can also purchase the book from this web site and from online sources such as amazon.com. | Sarah Boslaugh

Take Action #10 – Can You Step Out of Your Natural Voice?

October 6th, 2010

Stepping outside of your natural voice can be a lot of fun! Once you understand what your natural vocal qualities and “sound” are, you can begin to play outside the box and expand the range of characters and qualities you can offer.

This exercise helps you play with a range of emotions. As you read the following phrases, you’ll notice that we have removed all punctuation, which can often be a clue to a phrase’s tone. But in order to expand your range, let’s play around with the many different ways the same phrase can be said. First, see what your natural inclination is when you read the phrase. Copy and paste this blog to a Word Doc, and after each one, write down the adjective that you feel most fits the phrase/sentence. For example, a sentence such as “stop,” might be angry. As you read the phrases, see how you naturally interpret the emotion associated with saying the words.

Exercise: Phrases

  • Over here                                          
  • I need that                                         
  • Let go                                                   
  • What are you talking about       
  • Don’t do that                                    
  • I don’t think that’s a good idea 
  • Give me the new one                   
  • No                                                         
  • Try it again                                         
  • Listen to me                                      
  • Alright                                                 
  • Stop right there                               
  • Wow that’s huge                            

Now, review your phrase list and see how you naturally ‘heard’ the specific words. Perhaps your “no,” was “frustrated,” because you assumed that if you are telling someone “no,” it’s because you’re frustrated about something.

Becoming familiar with your instincts can be very helpful because it’ll allow you to make a choice outside of your natural inclination, which can yield very interesting results.

Come say hello on Facebook: Voice Over Voice Actor



BOOK TOUR: Dates & Places added

February 16th, 2010

The international book tour is going gang-busters with great signings in the US and abroad. Next up, stops in:

New York City, NY Join us at The Drama Book Shop for a FREE voice-over workshop and talk as well as a book-signing this Friday, October 8th at 5pm. The Drama Book Shop is located at 250 W. 40th St., NYC, NY 10018.

More stops to be announced soon for California, and possibly Florida .

We’re also in various local stores throughout the United States, so stop by Barnes & Noble or Borders to pick-up/request your copy today, order online via Amazon or our website as well as the new eBook on lulu!

We will add details and more cities as soon as they are confirmed, so check back to get more details!

Coming soon:

Los Angeles, CA. Stay tuned for more info!

In the meantime, need reviews on Amazon.com which YOU can help us with! So if you’ve read the book, we’d love for you to review it for us, CLICK HERE and write your VOVA Amazon review. Thank you :)

Below is a list of places we’ve visted and done book signings or voice-over talks! Thanks to everyone who stopped by!

MONTREAL, CANADA at Fantastic Film Festival, doing a VO talk and book signing, July 17 & 18

SAN DIEGO, CALIFORNIA at ComicCon July 22-25, please check Comicon schedule.

LONDON, ENGLAND, c/o London Expo Saturday/Sunday May 29/30, at Excel London, E16 1XL

DUBLIN, IRELAND Saturday June 5th from 12 noon – 2:30 pm at at Forbidden Planet Dublin, 5-6 Quay, Dublin 2, Ireland.

LOS ANGELES, CALIFORNIA, Super Happy Tokyo Love, 8p-10p Sat March 8, Royal T, 8910 Washington Blvd, Culver City, CA90232

CHAPEL HILL, NORTH CAROLINA – CANCELED DUE TO ILLNESS, our apologies!!

BRISBANE, AUSTRALIA, c/o Supanova Con Saturday & Sunday April 10 & 11, RNA Showgrounds

MELBOURNE, AUSTRALIA, c/o Supanova Con Saturday & Sunday April 17 & 18, Melbourne Showgrounds

SAN FRANCISCO, CA
The Comic Outpost, 12:30-2:30, Sat. March 13th, 2381 Ocean Ave, SF, CA 94127

LAS VEGAS, NV
Alternate Reality Comics, 3:00-5:00pm, Sat. February 20th, 4800 S. Maryland Pkwy, LV, NV 89119